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How Coleridge has used a keen observation of the world to depict a bigger theme in his poem
The hypnotic rhythm of the Circassian Really like-Chaunt designed by a mixture of two typical rhyme schemes employed intermittently throughout the poem assists to capture the sense of equilibrium, tranquillity and beauty Coleridge believed could be located in nature. Equally the repetition of the word “Lewti” 5 times in the opening two stanza’s as effectively as the repetition of natural imagery such as the “rock” and the “stream” adds a sense of a natural monotonous charm to the poem suggesting an air of peacefulness and restfulness. The muted colours in the poem suggested by clouds of the “palest hue” as properly as the “grey” and “flushed” landscape surrounding the clouds heighten the sense of tranquillity. Conversely, these muted pictures are straight contrasted with bolder pictures such as the “rich and amber light” of the moon shining by means of the cloud. There are nearly an identical number of references to both the muted and the vibrant images in Lewti which creates a feeling of equilibrium in the poem further emphasising the all-natural balance and beauty of nature. In Sonnet to a River Otter the persona remembers in a rather paradoxical way “what happy and what mournful hours” he had by a brook. As soon as once more there is a feeling of equilibrium and balance created by contrasting photos. Nevertheless, the suggestion of beauty in some thing significantly more mundane, such as the “native brook” as opposed to Lewti who is an Arabian princess gives the impression that we are not just seeking at the subjects but a much more universal notion of a unifying beauty throughout the whole organic globe. It is precisely this underlying interest in the beauty and natural equilibrium (which a lot of eighteenth century industrialists threatened to ruin) that lies at the heart of poems such as Lewti. The paradoxical statement by the “ancient mariner” that there is “water, water every single exactly where, / nor any drop to drink” adds to the sense of a paradoxical all-natural planet and the “beauty and the happiness” of the “slimy things” the mariner notices whilst at sea creates a related paradoxical image. The inclusion of the word agony to describe the soul of the mariner is as soon as once again paradoxical as the word can imply both mental anguish and pleasure. This double meaning in describing the “soul” of the mariner symbolises the truth that the balance in nature is at the heart of the all-natural globe as the soul is an important component of the mariner. Coleridge chooses to focus in a precise and detailed way on one topic, which becomes symbolic of a wider natural world. Via his use of equally balanced contrasts, both in terms of imagery and style, he is able to suggest a natural world that despite the fact that usually conflicting is constantly in excellent equilibrium.
Equally, by way of his precise observations of the natural world, Coleridge was in a position to discover the Eternity of nature. Kubla Khan’s language hints at this timelessness with quasi-superlative language that describes the caverns as “measureless” and the forests as “ancient”. The significance of these photos is heightened by the fact they are talked about within the very first stanza. Moreover, by mentioning specific antiquated names such as Xanadu and Kubla Khan, which are relatively obscure, Coleridge is able to suggest that human creation is not like the infinity of nature. By maintaining the organic subjects in the poem unspecified and stereotypical, “green hill”, “caves of ice” we really feel a sense of timelessness in nature.
In addition, there is a hypnotic regularity in the whole poem and in certain the 1st stanza. Coleridge alliterates the final two words of every of the initial 5 lines, “Kubla Khan”, “dome decree”, “sunless sea” giving the poem a bombastic, yet normal rhythm. Brief exclamations such as “but oh!” and “a savage place!” coupled with excessively extended exclamations designed through enjambment “as holy and enchanted as e’er beneath a waning moon was haunted by a lady wailing for her demon lover!” Consolidate this feeling of ‘ebbing and flowing’ which is reminiscent of time ticking irregularly away and creates a sense of the infinite. Similarly, the Ancient Mariner reflects this timelessness via the regularity of the way in which he tells his story. He speaks within a rhyme scheme that becomes an nearly comical ‘nursery rhyme’ in areas due to the regularity and inexorable rhythm of the couplets. The use of the word “ancient” consolidates this concept of eternity as it is a word normally employed for inanimate and typically only all-natural subjects as does the vastness of the ocean he is marooned on. Furthermore his attention to detail in his story suggests he has told it many times and detailed observation such as his description of the albatross, “at 1st it seemed a small speck, /And then it seemed to mist” helps us realise this is not just 1 story about the nemesis of the organic globe becoming told at 1 precise moment in time but a timeless story of nature and the natural globe.
Furthermore, the Mariner’s unkempt however charismatic look recommended to the reader by way of a repeated focus on his “glittering”, “bright” eyes and his appearance as a “greybeard loon” and especially his “long grey beard”, suggests subtly that he has turn into a ‘spokesman for nature.’ The Mariner’s timelessness in direct contrast to the deaths of all the other crew members assists suggest the eternity of nature he has grow to be symbolic of.
The eternity of nature is really looked at in a rather paradoxical way due to the fact by focusing briefly on events or single images that are symbolic of a wider organic world Coleridge creates a sense of the infinite shown through particular examples. This is maybe also another example of Coleridge suggesting the paradoxes inside the all-natural planet by suggesting some thing infinite with a particular occasion or image.
After once again, in a slightly paradoxical sense, the poetry focuses on an concept of ‘religion in nature’, a view held by a lot of romantic poets, notably Wordsworth. The Rime of the Ancient Mariner takes a lot of religious photos and ‘naturalises’ them. In portion the third the mariner says “I beheld/ A anything in the sky”, which has subtle connotations of the star the 3 smart men followed. Nonetheless, the “something” is in truth an albatross and like the star in the bible story the albatross is a key symbol in the Rime of the Ancient Mariner. “LIFE-IN-DEATH” and “DEATH” “were casting dice” for the souls of the crew and after once again this mirrors with a natural (or arguably supernatural) twist the soldiers who diced for Jesus’ clothing after his death on the cross.
Ultimately the ancient mariner becomes less arrogant and shifts his perspectives, having repented for his sins and this has echoes of the Christian message except through his killing of the albatross the mariner’s crime is directly against nature rather than a perceived ‘God’. Nonetheless, the suggestion of religion in nature becomes slightly much less desirable when we see that in the end the mariner is not forgiven for his sins in contrast to the Christian message of a forgiving God.
In the examination of religion in nature, the poems also concentrate closely on the energy and nemesis of the natural planet. The Mariner and his whole crew are tortured by the mistake of the mariner to kill the albatross. The poem hinges around the line “I shot the ALBATROSS” which is made to appear substantial by the fact the line is shorter than the other lines in the stanza, ends “part the first” and contains the word “albatross” in capital letters. Similarly the “pleasure dome” in Kubla Khan, which by way of its description as “stately” appears very grandiose, is dwarfed by the biblical, apocalyptic language that describes the natural planet the dome is surrounded by, “romantic chasm”, “ancestral voices”. Moreover, the description in the poem is extremely sensual and covers all the senses. The sensuous description of the natural pictures offers them an all-consuming and very powerful presence echoing the suggestion by Coleridge of the power in nature. The “sunless sea” and the “gardens bright” are each striking visual pictures, our ears are filled by the sound of the “woman wailing and the “damsel” who is “singing of mount Abora”. “The incense-bearing tree” awakens our sense of smell. Equally the suggestion of the “earth breathing” and the fact the persona has “drunk the milk of paradise” guarantees that our we both really feel and taste the powerful language utilized to describe the all-natural planet where Kubla Khan built “a stately pleasure dome.”
Coleridge’s poetry relies totally on a detailed analysis of nature in order to present and further examine his larger tips such as ‘religion in nature’. A lot more particularly however, Coleridge relies on a ‘zoom effect’ to scan the basic scenery and then focus in on one particular small organic subject at a time, which in turn becomes symbolic of nature as a whole.
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Level: High School
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